XXV
METHINKS 'twere no unprecedented feat
Should some benignant Minister of air
Lift, and encircle with a cloudy
chair,
The One for whom my heart shall ever
beat
With tenderest love;--or, if a safer
seat
Atween his downy wings be furnished,
there
Would lodge her, and the cherished
burden bear
O'er hill and valley to this dim
retreat!
Rough ways my steps have trod;--too
rough and long
For her companionship; here dwells
soft ease: 10
With sweets that she partakes not
some distaste
Mingles, and lurking consciousness of
wrong;
Languish the flowers; the waters seem
to waste
Their vocal charm; their sparklings
cease to please.
Fancy having trumped Idleness – there
follows a seriously fanciful sonnet!
The traveller day-dreams that some
magical being of the air in the form of a bird will spirit his love to his ‘dim
retreat’ as his journey has been to ‘rough and long/For her companionship’.
Lines 10 -14 are slightly ambiguous.
Assuming that ‘she’ in L11 refers to ‘soft ease’ and not the traveller’s
companion, (though if this is the case why is ‘idleness’ not personified) – but
if this is correct, then ‘soft ease’ is distasteful, (I assume because it is
unproductive) and a lurking consciousness of ‘wrong’ undermines the enjoyment
of Nature – the flowers just ‘languish’, the sound and sight of the water ‘cease to
please’.
This is a good example of the
puritanical streak that runs through Wordsworth’s poetry – on a personal note,
it is his regard for poverty as a potentially positive quality that develops
thrift and prudence within his ‘Republic of Shepherds’ that I find most
difficult to accept (in the note, much is made of Rev. Robert Walker and is
family’s ability to live good lives on a small income through hard work and
thrift). Like Cobbett, Wordsworth’s critique of society was founded on
eighteenth century notions of the dangers of ‘luxury’ and burgeoning
materialism. The notion of ‘wealth re-distribution’ was really an outcome of
Marxist analysis later in the Nineteenth Century. Wordsworth is ‘green’ rather
than ‘red’.
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