XXVIII. JOURNEY RENEWED
I ROSE while yet the cattle,
heat-opprest,
Crowded together under rustling trees
Brushed by the current of the
water-breeze;
And for 'their' sakes, and love of
all that rest,
On Duddon's margin, in the sheltering
nest;
For all the startled scaly tribes
that slink
Into his coverts, and each fearless
link
Of dancing insects forged upon his
breast;
For these, and hopes and
recollections worn
Close to the vital seat of human
clay; 10
Glad meetings, tender partings, that
upstay
The drooping mind of absence, by vows
sworn
In his pure presence near the
trysting thorn--
I thanked the Leader of my onward
way.
This is one of those ’upside down’
sonnets that really makes no sense whatsoever until you get the final line –
there’s got to be a rhetorical term for this – but I don’t know it.
Again, the pastoral opening image is
essentially picturesque, reminiscent of idyllic representations of grazing
cattle and herdsman from Claude Lorraine onwards.
Pastoral Landscape by Claude Lorrain, 1646/7, Timken Museum of Art.
The remainder of the poem, however, develops
in a more typical ‘Wordsworthian manner, which makes claims for a more
profound influence of Nature upon the
mind, than the idyllic pastoral. The poet ‘thanks’ the river (the Leader) not
only for the sake of all the creatures – cattle, insects – sustained by it
(insects forged upon his breast – note continued anthropomorphic theme), but
also for its anticipated influence on the ‘drooping mind of absence’. We’re in
‘when oft upon my couch lie/ …flash upon the inward eye ’ territory here.
This sustaining presence is a kind of
marriage between the mind and nature, something that the traveller swears a vow
to by the ‘trysting thorn’. The poet is led by the river on his onward way.

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