VI. FLOWERS
ERE yet our course was graced with
social trees
It lacked not old remains of hawthorn
bowers,
Where small birds warbled to their
paramours;
And, earlier still, was heard the hum
of bees;
I saw them ply their harmless
robberies,
And caught the fragrance which the
sundry flowers,
Fed by the stream with soft perpetual
showers,
Plenteously yielded to the vagrant
breeze.
The trembling eyebright showed her
sapphire blue, 10
The thyme her purple, like the blush
of Even;
And if the breath of some to no
caress
Invited, forth they peeped so fair to
view,
All kinds alike seemed favourites of
Heaven.
If the previous sonnet was
reminiscent of Lyrical Ballads, then this seems to hark back to Wordsworth’s
earliest poetry found in An Evening Walk, which is much more ‘Augustan’ in
tone.
Lines such as:
And
caught the fragrance which the sundry flowers,
Fed
by the stream with soft perpetual showers,
Plenteously
yielded to the vagrant breeze.
are generalised and rely on
well-established poetic phrasing – ‘sundry flowers’, ‘perpetual showers’,
‘vagrant breeze’, for example.
There is a studied grace to these
which is reminiscent of mid-eighteenth century poetry. The pastoralism of James
Thompson’s ‘The Seasons’ springs to mind:
Moist, bright, and green, the landscape laughs around.
Full
swell the woods"; their every music wakes,
Mixed
in wild concert with the warbling brooks
Increased,
the distant bleatings of the hills,
And
hollow lows responsive from the vales,
Spring, The Seasons (1730) ll. 196 -
200
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