X. THE SAME SUBJECT
NOT so that Pair whose youthful
spirits dance
With prompt emotion, urging them to
pass;
A sweet confusion checks the
Shepherd-lass;
Blushing she eyes the dizzy flood
askance;
To stop ashamed--too timid to
advance;
She ventures once again--another
pause!
His outstretched hand He tauntingly
withdraws--
She sues for help with piteous
utterance!
Chidden she chides again; the
thrilling touch
Both feel, when he renews the
wished-for aid: 10
Ah! if their fluttering hearts should
stir too much,
Should beat too strongly, both may be
betrayed.
The frolic Loves, who, from yon high
rock, see
The struggle, clap their wings for
victory!
It is interesting to compare this poem
with sonnet VII. Both take youthful love as their theme. However, whereas the earlier
sonnet dismissed the foolishness of ‘Stripling’ love through parody, the
present sonnet celebrates it in a poem which successfully merges keenly
observed human behaviour with a pastoral mode reminiscent, in its final lines especially,
of a genre piece by Watteau or Boucher.
Rococo Wordsworth, surely not! What the Duddon series shows is just how versatile a poet Wordsworth is. It is tempting to position him – as the leading philosopher poet of English Romanticism, as a didactic moralist writing poetry of self-improvement, as a writer of pastoral narrative, as the author of the last great epic poems in English Literature, as a theorist who argued for the use of more direct ‘real language’ in poetry – he was, of course all of those things, but he was also an experimentalist, and for that reason even the later Wordsworth remains surprising, as this, much overlooked, sonnet reveals.
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