Thursday, 24 April 2014

The Duddon Sonnets - Notes to Sonnet XIV

XIV

         
          O MOUNTAIN Stream! the Shepherd and his Cot
          Are privileged Inmates of deep solitude;
          Nor would the nicest Anchorite exclude
          A field or two of brighter green, or plot
          Of tillage-ground, that seemeth like a spot
          Of stationary sunshine:--thou hast viewed
          These only, Duddon! with their paths renewed
          By fits and starts, yet this contents thee not.
          Thee hath some awful Spirit impelled to leave,
          Utterly to desert, the haunts of men,                       10
          Though simple thy companions were and few;
          And through this wilderness a passage cleave
          Attended but by thy own voice, save when
          The clouds and fowls of the air thy way pursue!
                                                              1806.

L.3 – nicest Middle English (in the sense ‘stupid’): from Old French, from Latin nescius ‘ignorant’, from nescire ‘not know’. Other early senses included ‘coy, reserved’, giving rise to ‘fastidious, scrupulous’: this led both to the sense ‘fine, subtle’ (regarded by some as the ‘correct’ sense), and to the main current senses.

Wordsworth in his notes identifies this as the earliest sonnet in the series, written a full fourteen years before the poems’ publication. The diction does indeed seem closer to the Wordsworth of Lyrical Ballads – closer to ‘the real language of men’. The phrase ‘plot of tillage ground that seemth like a spot of stationary sunshine’ is one of those memorable Wordsworthian phrases that combines keen observation with a thrilling metaphorical leap.


The core of the poem lies in the contrast between the inhabitants of Wordsworth’s pastoral republic – shepherd or hermit – who are content as ‘inmates of deep solitude.’ With the restlessness of the river whose ‘awful spirit’ impels it to leave the ‘haunts of men.’ What is this Spirit?  Nature? Time? Or the Imagination? –  Wordsworth, in the postscript writes of the river as being an image of poetic inspiration for Virgil, as well as Burns and Coleridge.

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